Monday, 29 June 2020

Dusk On The Move

Dusk On The Move

Solar driven
sound shades of evening
linger on pure white angel wings,
feathered light balls bouncing
through the grey ghost gums,
chattering seraphs
soaring, swooping,
swiftly swapping space
with space,
signalling
dusk on the move

Polar driven
sinking through ocean skies
of cerulean, indigo, black
Helios draws his dark cloak
across infinite heavens,
imperceptibly secretes
earth shapes and life forms
in protective nocturnal
cocoon,
signalling
dusk on the move.

Sonar driven
denizens of darkness,
devil rhythms on the wing,
plotting invisible coordinates
to ancestral feeding grounds,
skirt treetop sign posts,
cast transient template
shadows across
night’s sphere,
signalling
dusk on the move.




Saturday, 20 June 2020

I Am

I Am

In your mind I am several shades of black
but in my spirit shade,
born of the Creator in the Dreaming long ago,
I was the keeper of the land
and I was with the land by day
under the blazing sun, Wiriupranili,
and by night under the cool moon, Japara,
and my shadows were always by my side
and we shared our identity in peace
with the soul of the land
and we shared our lives and our destiny
with all that lived upon the land
and we listened to the voices of the land
and we were free.
But now, the torch of Wiriupranili has dimmed
and the voice of the soul of the land is silent
and the Koori people have been eclipsed
along with much that lived upon the land.
And now, I am cruelly cast forever
as the ubiquitous shadow of your conscience,
as the mirror and measure
of your political correctness
in your synthetic, suburban society.
And yet, although I am long hidden in your shade,
I am still the traditional spirit keeper of the land
and I feel your discomfort
at the reflection of my blackness
and I smell your fear
of your own shadow
and I sense your alarm
in what you have made of me
of what now, I am.


Friday, 12 June 2020

The Ballad of Mount'n Lagoon

The Ballad of Mount'n Lagoon


(A work and place of fantasy and fiction loosely inspired by the real Mountain Lagoon and Sam's Way in the beautiful Blue Mountains)

When you travel up the mountains don't forget that dusty road
that meanders off the highway at the place called Blue Gum Lode.
Its a hundred years from nowhere, but its somewhere in your mind
and if you want to get away from things, no better will you find.
You’ve got to be observant, don’t miss that rusty old milk churn
next a battered sheet of galvanised iron that tells you where to turn,
just a crumpled sign, hand writ in black, that the sun lights up at noon,
and directs you to the valley known abouts as Mount'n Lagoon.

The power, phone and water pipes that cross the Great Divide
don't divert down this gully, folks must for themselves provide;
so when you’ve left the western road and traversed the Bells Line ridge
and the tarmac street gives out right soon, make sure you’re 'ridgey didge'.
The road winds down that southern scarp, through stands of mountain ash
and you overlook the twists and turns, its narrow, please don't crash,
cos here there's no soft landings, just rocks and boulders strewn,
and there’s no emergency services down there in Mount'n Lagoon.

Its a pot holed, unforgiving track so you wont give any thanks
for the roos that leap in front of you are built like Sherman tanks.
They'll take you out if you ain’t alert, so be ready to hit the brakes
but don’t stop to ease your bladder cos our bush is full of snakes,
and to squat down in that knee high grass just to drop your pants
is just an open invitation to the spiders, flies and bull ants
that thrive upon the mountain, they grow fat upon the turds
of the cows, sheep and roos, but then get eaten by the birds.

Now, tall tales about our wildlife should not keep you at bay,
still, best beware the bloody mossies or they'll carry you away.
But from this temperate highland forest, you quickly will emerge
to a mile long stretch of bitumen, kerbed, with a neat grass verge.
Cripes you think, a real strange place to spend so much state money
it only serves a few sheep and goats, and an apiarist, who makes honey,
oh yes, and one particular landed gent, a long serving Liberal pollie,
who made the most of his casting vote, we calls it Pollie's Folly.

On your way down past the grazing lands and the citrus fruits in crop,
where the canyon starts to broaden out, there’s a place you’ve gotta stop
called Yamma's Ledge, with sweeping views to our valley's western mouth,
where it meets the Great Dividing Range, running north to south.
It’s been a sacred site from tribal times and the locals knew it well,
it echoes, with an atmosphere so rarefied it casts a magic spell,
so we'd like you to experience it, but don’t get too close to the edge
cos despite the pollie's presence there’s no fence on Yamma's Ledge.

You’ll see gushing falls at Govett's Leap glow red in the dawning sun
and mist beams glint on the white water wash as the shallow rivers run
across ancient granite and sandstone beds winding through the vales,
with sunbaking geckos on outcrop rocks, gently swishing their tails.
Now raise your eyes from forest floor to the horizon's morning sky
where flocks of cockies and, if you’re lucky, wedge tailed eagles fly,
who choreograph their search for prey above pastureland so lush,
to melodious strains from invisible parrots blending with the bush.

Tarry not too long in that spiritual place, because of its sacred rites
the traditional owners, Yamma's kin, say ghosts lurk round most nights;
its turned many folk's minds to water and others methinks to wine,
in our close-knit valley society, the difference is hard to define.
Still live and let live, we abide by this law, so please, don’t take us to task
with your trendy, city based morals since our redemption ain’t the ask,
for everyone here has their freedom and our own we do protect,
you see, us valley dwellers ain't nothing if not politically correct.

On leaving the ledge, the road it forks and your own choice it is to make,
but we recommends the old fashioned route, just for history's sake;
so you get off the gravel, bear to the left and take the six foot track
that pioneers forged with horse and cart, a hundred or more years back.
Through dim iron bark forest, two deep dirt ruts with a middle mound of grass,
it ain't wide enough for two vehicles, but there’s never a need to pass
cos the traffic round here is negligible, still no matter what it lacks,
its our private road to bureaucrats and its deductible from our tax.

You’ll soon notice a change, on the left of the track, where radiata pine
in dense plantation ranks, so tall, thin and straight, contrasts by design
the scattered, native cedar stumps on the opposite side of the trail,
where pioneers cut dear life from the forest for furniture, post and rail.
We learned our lessons, to protect our bush and with ourselves get honest,
to harness the quick growing pine trees, create the Bindaroo State Forest
to supply all the timber those city folks need at good profit margins mark
and at the same time we heritage listed our own Wollemi National Park.

Some distance further the leaf curtain thins, then it suddenly disappears
and the panorama that confronts you, its a real sight for sore ears;
oh, don’t get petty about me rhyme, me metre and all that poetic theory
cos in our valley writers' group near enough's good enough, do you hear me.
Discover the Goondingi Fault, the northern face of our mountain valley home
sheer sandstone cliffs, with a gallery of colours etched in that vertical stone,
whose contorted carvings in the setting sun, evoke the ultimate emotion
through millions of years of nature's own stress and rain and wind erosion.

Drive left down the ridge to the steep gravel road, which levels out real soon,
and you’ll get to see the original lure why they came to Mount'n Lagoon,
just a couple of young kids with vision in the year of eighteen twenty,
made their way to this land full of promise with sun and water a plenty.
With hope for the future, to farm the soil, to gain the fruits of their labour
Sam Senior and Mary, the first squatters here, then cousin Jude as neighbour
moved rocks, felled trees, tilled volcanic loam with the only tools their hands,
the first homestead they built in wattle and mud, their monument, still stands.

Pause if you like to inspect their retreat, with chimneys made from mud brick,
on a shady knoll overlooking our lake beside yellow box, oh so thick,
midst a cathedral of tree ferns and bangalow palms as idyllic as you’ll find
but if you decide to explore these grounds your step you’d better mind.
Please stick to the paths, the signposted route, as the gardens you admire
and note the disclaimers posted about from the clerk of our local shire,
cos the settlers also brought rabbits to feed on when times were hard
and they've multiplied, burrowed and undermined the bloody whole back yard.

From that very same hill whence Old Sam looked out, to the uplands left and right
in those few precious moments of respite at the end of his toil each night,
you can see the original cleared pasture with its wandering dairy herd
and merinos for wool, still spun here by hand, best quality my very word.
Bountiful branches of citrus and stone line those slopes in abundant array,
they were planted by Sam from imported seeds so expensive in his day,
but patience rewarded, his fruit harvests grew, his loans he repaid with thanks,
to such an extent that within twenty years, the sign outside said "Sam's Bank".

On the valley floor, neath gigantic cliffs, 'stride that narrow alluvial plain,
on the banks of that slow running river, that gives our valley its name,
stretch regimented rows of the early estates you can see all the various crops,
free range chooks, pigs, goats and for our local beer, fields of ripening hops.
This land, its flora and fauna fair, its produce from our brow's sweat,
cornucopia this part of our valley, where returning diggers once met
at Sam Junior's invite to heal their wounds, their lives to freshly start
on these ten acre farmlets and orchards that he generously set apart.

For twenty years Young Sam kept his word, a tight-knit bunch of Goonies
as we were known made this valley our home, to others just plain loonies,
a refuge from progress, a hermit clique scarred by wars that you never win
but Young Sam on his deathbed at ninety decreed, we let the new world in.
Esteemed playwrights and authors of fiction, to inspire their latest text,
were invited to our valley, but then do you know what happened next,
weird potters, strange painters ranged hereabouts, now even a crazy poet
from Nimbin, whose hippie mates will join her soon, before we even know it.

The finest of farmers we attracted here, the best by a country mile
who'd labour till sundown with nature's gifts, digging dung in organic style;
a blacksmith, a vet and a produce stall to manifest our hard working deeds,
a pub and a church, which in their own ways both served our spiritual needs.
The thirty's depression, a toll so severe, we scrapped our shire horses and drays
to buy modern technology and tractors to replace our most simple of ways;
tin sheds full of battery hens, milking machines, every new fangled solution,
fertilisers, pesticides increased our yields and introduced toxic pollution

Still, you’ve nearly reached the bottom of that road down from the scarp,
our lake now opens up in front of you, so take care you must look sharp
its unexpected and quite hypnotic, its sure to take away your breath
so best concentrate, turn promptly right to avoid a watery death.
Sultry summer sun beats on these slopes but winter’s not too harsh,
though its termed a micro climate drought has never drained this marsh
since there’s always been sufficient rain, most always every moon,
so we thank the Lord for this valley lake, that we call Mount'n Lagoon.

Now pull up your car at our lake side park, a gift from Sam's ardent admirers,
sate your eyes on our local phenomenon, a sight you’ll agree most desirous;
the Goondingi Fault in the background shaped both the trough and the ledge,
which makes up a natural reservoir with one deep and one shallow edge.
Calm stretches of water away to each side, in the centre dense beds of reeds,
which wave in the wind and make private our water fowl's sexual deeds,
and ripples lap gently against the far shore, where swamp gums seem to wade
so absorb the mood and reflect in this scene, the most perfect everglade.

Turn around through sixty degrees, you’ll overlook three massive dams
with tall wind pumps to draw out sustenance for the grazing merino rams
of our valley's yuppie dude ranchers, the first Aussies to try and farm llamas
but its popular game birds that’s turned them, from peasant to pheasant farmers.
Just young city folks, their capital secured, like Old Sam they decided to roam
their fortune from futures to invest in the past, they bought Sam's Victorian home;
so wheels turn full circle in our valley, their new bloodlines relieve the gloom,
new spirit and hope from their new ideas, in the home they call Mount'n Lagoon.

But a kookaburra pair tamely taking the sun on those iron bark farmyard gates
will arouse you to the overture from their raucously laughing mates,
the conductor's attention now broadcast, the symphony can commence
with crows "ark ark" and dulcet "coo coos", melodic pigeons on the fence.
The ducks on the lake quack the base line as the soloists each fly overhead
with singular whistles and warbles, or chirps, twitters and tweets instead;
though our culture is raw, we've no school of art, and most here can't hold a tune,
we've Orchestra Avis, the best in the world, right here in Mount'n Lagoon.

The home's focal point at the lake side, marks the start of our patriarch's legacy
his gift for his sons, an avenue of trees, full of love and pride you’d beg to see
on a sandy road which encircles the lagoon, past all the selectors' first farms
with twin rows either side of autumn clothed maples and rugged Aussie palms.
To salute Young Sam's twins, who never returned, they were killed that fateful day
in the senseless assault on Gallipoli, honoured now by the trees of Sam's Way,
which he planted himself, with his own bare hands to tend for the rest of his life,
'twas the very day the next war broke out that we laid him with Martha his wife.

So you’ll now understand why Young Sam, to the survivors extended such charity,
for instead of his sons, to old diggers he gave, maintaining some sort of parity
a reward for his conscience, his memory of boys, that both died far too soon
and never were able to take on the roles of their birthright in Mount'n Lagoon.
The family cemetery looms first on Sam's Way, a facade of huge granite rocks,
a red gravel path leads up to the entrance, its portals of iron with strong locks,
the only security Young Sam would allow to protect the souls of his sons
with their black marble tombstones from Turkey, crossed with inverted guns.

Sam's avenue then passes the entrance to famed Wollemi National Park,
walks to Tootie Creek and Colo Meroo, says the sign on an old stringy bark,
that in sunshine you start by the lake side, through scattered peppermint gum
then pass into shadows thrown by blackbutt and varieties of pittosporum.
Suddenly you’ll hit the deep shade from the cliff, the flora will typically change
to blue gums, mosses and tree ferns, that abound neath this wet northern range
and the leaf mould that litters the undergrowth, deadens all sound as you stand
in this dark, revered part of our valley, where nature holds total command.

Now motor past the farms on Sam's Way windows down at speed very slow,
cos its not only cattle and horses you’ll meet, but our Goonies on the go
and they’re never too busy to give you their time, with tales both tall and true
of history and events in our valley, the tough times their forebears lived through.
Each one has a story and family tree, the likes of which I've only dented
they speak proudly of life in this valley and its characters, mostly invented,
that enriched our past to bequeath us the stories and ballads we croon,
by tradition valley people are the friendliest, here in Mount'n Lagoon.

You’re back at the junction, you’ve circled our lake, the afternoon sun is low
and your sojourn serene in our valley backyard is over, its now time to go;
but you’re always welcome, so return anytime your mind's batteries to recharge,
we all need a dose of nature's elixir to cope with this tough world at large.
Of course this yarn ain’t quite the truth, but its the way it should have been
Sam's Way deserves a legend's tale, for its splendour, peace and green
make getting away from the stale beaten track a city slicker's boon,
a fitting finale to that perfect mind haven, that I know as Mount'n Lagoon.



Saturday, 6 June 2020

Fantasy at Fleet Pond

Fantasy at Fleet Pond

That late afternoon she appeared to me
I was just a mere youth in sole secrecy,
observant of nature, alone with the wild
but a typical, naive country bred child,
just sating compulsive scholarly needs
in a hide amongst those stiff green reeds
and erect brown rushes by a narrow ledge,
a promontory at the frozen water's edge
delivering clear vision, long ago it seems,
but even today she still haunts my dreams.

With her slender arms held aloft and wide,
and her head tilted wistfully to one side,
auburn locks lingering across one shoulder
mystical, serene, first cautious then bolder
ascending from the ice mat across Fleet Pond,
Arthurian vision, but from whose magic wand,
yet more is revealed of this picturesque scene
as two swans in homage fly up to their queen,
symbolic attendants in pure white they greet
then settle down delicately, right at her feet.

Crimson orb, winter low beneath the cloud,
now prises apart the misty grey shroud,
traces rose pink tracks across dappled ice
and into my pond princess breathes new life;
from some distant time in history’s page
she steps gently onto this glacial stage
then starts her dance, very slowly at first,
pirouettes, pas de deux and then she bursts
into agile twists, turns and leaps in the air
in this silent ballet, nature’s 'danse d'hiver'.

Fog filtered sun burns her flying mane red
forms a flaxen halo encircling her head
animates glimpses of gold thread by its light
creating a bird flock in synchronised flight
woven intricately into that twirling gown,
as in dervish frenzy she springs up and down,
spinning so fast that my eyes cannot focus
bewitched by this mind numbing hocus pocus,
then she stops, curtsies and to my great surprise
gently lowers her robe right down to the ice.

So naked as a bough of the northern beech,
stood sentinel around the pond’s every reach,
my pubescent mentor with brazen displays
of the essence and nature of woman in ways
so erotic, alluring, makes new feelings rise
in a young virgin boy disbelieving his eyes;
with burning passion she lets her hands roam
to parts of her body, to me quite unknown,
from gentle gyrations to muscular spasm
in climax my nymphette achieves her orgasm.

My mystery seductress, her mission not done,
is now perfectly framed by the setting sun
in the centre arch of the old Norman bridge
supported by the granite and earthen ridge
that splits into two these separate sweeps
of ancient wetlands, with dire secrets they keep
of her doleful drowning beneath this lagoon,
of this spectre, which fades at the rising moon,
so with slim white fingers she gestures in haste
beckons me to her across that solid white waste.

Silent songs from the soul of this medieval child
complete the entrapment, my mind so beguiled
by her dance, her verse, each designed to entice
as she sinks with the sun, reunites with the ice,
I rush from the reeds, do this deed “mens rea”
since, lamenting, she begs I no longer delay her,
offering outstretched hands for me to clutch
yet her crystalline fingers snap off at my touch
then the physics of freezing water and weight
in reaction determine my eternal fate.

The newspaper headlines, in manner austere,
reported me drowned, said there’s one every year,
and melodramatically, quite worthy of Byron,
ventured to boast that some ghost, some siren
had sounded my death knell, like those gone before,
revenge on cruel youths in a boat out from shore,
who took her by force whilst the winter sun set,
then in fright cast her out like an old fishing net,
they left her to drown with the bank far beyond,
where its dark and cold in my hide at Fleet Pond.


Wednesday, 3 June 2020

The Lost Souls Of Galston Gorge

The Lost Souls Of Galston Gorge

When the red sun, setting in the west, has eliminated light,
colour, shape and distance exist as mere tricks of the night,
conjuring creatures of illusion your faculties to tease,
you'll find them playing hide and seek amongst invisible trees,
darting from behind black rocks and across the wooden bridge
around stone ledges, up steep slopes and quickly over the ridge;
two large bright eyes, they wink and blink across the valley floor,
elusive, you might miss one, but there's sure to be some more,
for every night from east and west their ritual ways they forge,
in rain or fog a special treat, the lost souls of Galston Gorge.